Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
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The most efficient way to learn a song is actually to NOT sing it right away. By listening to a song you can learn what you are supposed to do a lot faster, without creating any bad habits you are only going to have to break later. If you can think sing a song from beginning to end, anticipating every breath and melody nuance, then you are ready to sing. It’s like a playbook for football. Study the play first before jumping in the game. Not successfully “think singing” the song before you actually sing it is like a ball player running around the field with no idea of the play.
Communicate the music's message. During performance it is very important to communicate the message of the song. If you make a "mistake" don't point it out to your audience. It is most likely they did not even notice.
INCREASE YOUR AIR SPEED
Increase your air speed for high notes and decrease your air speed for lower notes. Each frequency requires a specific air speed to create the absolute best tone. Many singers push too much air, too quickly, while singing low notes in an attempt to make the note louder. All this does is add stress and tension to the tone. Use your ears to tell you when the proper balance is reached. The tone should sound clear and pure before adding stylistic nuances.
RAISE THE SOFT PALATE
Creating a larger space inside your mouth by raising the soft palate, or fleshy part of the back of our throat, helps achieve a deeper more well rounded singing tone.
One way to achieve this is to think of biting into a large apple. At SingSmart™ we like to call this APPLE AH. To practice, pretend you are about to bite into an imaginary apple and sing AH.
Remember, it takes repetition of this action to retrain those muscles to hold that position so do this on a regular basis for many weeks while you practice. Before you know it, this action will be moved into your subconscious and you will be singing with a lifted soft palate and creating a much warmer, rounder vocal tone..AND, singing will be easier.
Learning the facts about tone placement and resonance make a huge difference in the abilities of a singer. In simple terms, a singer has numerous body cavities (nasal cavity, chest cavity, etc.) and amplifiers (bones, ligaments, etc.) that act as resonators. Focusing the vocal tone through the proper resonating chamber with the proper support is a major key to controlling and developing your personal sound.
Low notes are often sung with too much, or more specifically too fast of an airflow. Try decreasing your airflow speed, keeping it focused, not pushed, to achieve a more natural, more relaxed tone.
Never guess the pitch you are about to sing. Hear the note in your head before you open your mouth.
MONEY NOTES MATTER
Let’s face it. If you are singing a song with a big money note, let’s be real. You can knock the rest of the song out of the park, but if you miss the money note that’s all your audience will remember. A lot of times singers miss money notes because they are worried about it and if you even think for a moment that it “might not happen” you just increased your odds of it not happening by a great deal. Usually it is only one or two notes of a phrase that reach that “money” potential. When you focus specifically on the note, you compartmentalize it and tell your subconscious to watch out for it. Instead, in practice try concentrating on the phrase. Figure out how to use the phrase to your advantage. Sometimes changing your placement on the note(s) just before your money note can make a huge difference. And of course, during performance…see yourself hitting that note like a pro. If you can see it and you believe it, you’ll hit it almost every time.
OPEN YOUR MOUTH WIDER
Nine times out of ten this will help you achieve a stronger, more defined vocal tone.
QUIT BAD HABITS
Quit smoking. Quit talking too loudly. Quit talking too much. Quit clenching your jaw. Quit holding your breath. Quit beating yourself up for vocal imperfections.
High notes require consistent and steady fast moving airflow. Many students tend to hold their breath as they sing higher. Let the air flow. Try increasing your airflow and gauge your result.
KNOW YOUR LIMITS
Don't sing too high or too low. Don't sing to the point of vocal fatigue. Never strain or push your voice. Doing so will not result in a higher or lower singing range, or a stronger voice, only a voice that has suffered undue stress.
Be sure to get your rest. Singing well is a very physical art form. If you are tired, your voice will show it. A tired body/instrument will not allow you to produce your best possible sound.
DARE TO TRY SOMETHING DIFFERENT
So many singers practice the same song, the same way, over and over and over again. If it didn’t work the first twenty times, why is it going to work the twenty-first? Try altering different aspects of your singing and attempt to find an easier way to accomplish your best sound. For example, increase/decrease articulation, increase/decrease the amount of airflow, increase/decrease diaphragm support, alter tone placement, alter resonance…get the picture?
ENERGY NOT EFFORT
This is one of the most confusing concepts in singing. Energy in the tone is what we want and Effort is something we want to desperately to avoid. Energy is created naturally when our vocal instrument is in balance and our body is involved in the singing process. It feels good. It feels easy. Sometimes it occurs naturally and other times we may have to make adjustments. Effort usually occurs when singers use their throat muscles/membranes and vocal cords improperly to create volume. We should actually feel and see very little happening in our throat area.
LIFT YOUR DIAPHRAGM
So many singers learn to “belly breath” (breathe into the belly) and therefore tend to think that lifting their diaphragm feels similar to holding in their stomach. You can sing like this, but you are only using half your resources and not making full use of the power provided by the muscles in the back. To get your best breath for singing, you want to fill up your abdomen like an inner tube, you should feel expansion all the way around your body…yes, even in your back. Then to compress the air and support the vocal tone release, you lift the diaphragm muscle straight up from the center of your body. If you are used to the other way, it takes some practice to get the new diaphragm muscle memory, but well worth the effort!
The show must go on! Sometimes we can’t help but let our emotions and personal life circumstances affect our performances. We are human, after all. However, with practice and meditation you can learn to clear you head and totally focus on connecting with your song and the appropriate emotions of your selection, instead of whatever else was distracting you. Your body language and expression communicate your focus…but it’s your eyes that communicate your thoughts most of all.
KEEP IT CLEAN
When practicing your vocal skills focus on creating a pure and clear tone first, free of airiness, rasp and other tonal changes added for stylistic purposes. If you cannot create a clear tone full of life and energy, you are not singing up to your potential.
SING THE STORY
Singing is acting through song. Why sing the song and not convey the message? Get emotionally involved with the lyrics. Figure out what would make you spontaneously speak the words and sing them with conviction.
YOU CAN SING
Making an impact on a room is as much about expression as it is physical ability. Take the time to understand your current skill level and exercise your vocal machine to help it become as balanced as possible at your current level. Make a plan for improvement, but ACCEPT your current level and love it. Face every song performance like a football player approaches the field. Forget about everything else except for the current play and how much you love the game. Say to yourself, YOU CAN SING and give it everything you've got.
Using your articulators (lips, teeth, tip of the tongue) more specifically to create your words will help you sing better and more easily. So many of us swallow our articulation (meaning farther back in our mouth) and that habit gets in the way of resonance, tone placement and other important singing mechanics. To improve your skill, quickly say the articulator tongue twister five times in a row: “lips, teeth, tip of the tongue. Lips, teeth, etc.” Be sure to really concentrate on exaggerating the movements with the articulators. See where all the action is? That is where you feel the action of articulation when you sing. Keep in mind that you will probably feel like you are moving them in a ridiculous fashion if you are not used to using them actively. Check a mirror, you’ll probably be surprised.
Breathing properly for singing requires the shoulders to remain down and relaxed, not rise with the breath intake. A singer will gain power to their voice by strengthening the muscles in their rib cage and back.