Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
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BUILD YOUR SONG PERFORMANCE
Think about how a well-constructed roller coaster builds in intensity and suspense throughout the ride. Your song should have the same sort of ups and downs. For the best results, plan the dynamics (volume and intensity) of your singing. Don’t just sing as powerfully as you can from the get go. Figure out the emotional and natural build of the music and sing accordingly. As an example using a basic song form, you would do your initial build from Verse 1 through Chorus 1, bring them back a bit for Verse 2 only to get a slightly bigger build (than the peak of Chorus 1) on Chorus 2 before exploding into the bridge. Remember, singing is as much an art form as a skill.
FREE YOUR NATURAL VOICE
Don't be a slave to any music style – even your favorite one. Learn to sing with your full and natural voice by developing your vocal strength and coordination. Then add stylistic nuances to achieve any singing style you desire.
OPEN YOUR MOUTH WIDER
Nine times out of ten this will help you achieve a stronger, more defined vocal tone.
So many students avoid improving certain mechanical skills because they claim that it is their style. While it is true that certain things a singer does, shape of their mouth, how they pronounce words, etc., contributes to their signature voice… improving how you create your tone will only make your signature voice better. Don’t back away from understanding your voice; learn all you can about your instrument in order to create your best sound.
COPE WITH THE UNEXPECTED
Singing events and challenges occur with every performance. Deal with them the SMART way. Figure out which part of your vocal instrument is out of balance and make an instant adjustment. If you are not sure what actually makes up your “vocal instrument” you would definitely benefit from learning vocal mechanics.
When learning to sing your full range and accomplish the desired one voice (same power with similar tone throughout the whole range) singers often experience cracks and breaks. One way to test this is to practice a siren. Slide on the syllable “he” from the bottom of your range to the top. If you do not experience cracks or breaks, try it on all syllables at all volumes. When you find yourself faced with this challenge, it is the common response to “try harder” or “give more effort” on those notes. This is not the way to solve this issue. What you want to do is to lighten up just a bit on these notes, let them float like a feather instead of trying harder and stomping on them. Understand that most often this is caused because muscles and membranes not having the memory they need to make the transition you require, as quickly as you want it made. Repetition will give them memory, so keep practicing. Lighten up just a bit on those notes and sing through the break. Don’t develop the habit of stopping when you “crack” or it will come back to bite you later.
KEEP IT CLEAN
When practicing your vocal skills focus on creating a pure and clear tone first, free of airiness, rasp and other tonal changes added for stylistic purposes. If you cannot create a clear tone full of life and energy, you are not singing up to your potential.
Wishing your voice was pro quality won’t get it there. You’d be surprised what one hour of specific vocal practice five days a week can do. Sorry, this doesn’t usually apply to singing your favorite songs during commute time or singing the same song over and over again in your bedroom. While you may make some improvement this way, making a productive practice vocal plan would be much more efficient and of course, help you make much faster progress.
Training in front of a mirror can help a singer discover many things about their instrument, as well as confirm that other actions are being done correctly. Be sure to rely on a mirror during vocal training, but be able to leave the mirror to face an audience.
Never guess the pitch you are about to sing. Hear the note in your head before you open your mouth.
ELASTICITY OF THE VOCAL FOLDS
The vocal tone is created as airflow bursts through the cleft of the vocal cords causing them to vibrate/oscillate. The vocal folds can lose elasticity due to misuse, lack of use and/or increase of age. Be sure to train your voice with vocal exercises on a regular basis to keep your voice in shape.
MONEY NOTES MATTER
Let’s face it. If you are singing a song with a big money note, let’s be real. You can knock the rest of the song out of the park, but if you miss the money note that’s all your audience will remember. A lot of times singers miss money notes because they are worried about it and if you even think for a moment that it “might not happen” you just increased your odds of it not happening by a great deal. Usually it is only one or two notes of a phrase that reach that “money” potential. When you focus specifically on the note, you compartmentalize it and tell your subconscious to watch out for it. Instead, in practice try concentrating on the phrase. Figure out how to use the phrase to your advantage. Sometimes changing your placement on the note(s) just before your money note can make a huge difference. And of course, during performance…see yourself hitting that note like a pro. If you can see it and you believe it, you’ll hit it almost every time.
NEVER DISRESPECT YOUR INSTRUMENT
Never sing if it hurts to swallow.
High notes require consistent and steady fast moving airflow. Many students tend to hold their breath as they sing higher. Let the air flow. Try increasing your airflow and gauge your result.
Communicate the music's message. During performance it is very important to communicate the message of the song. If you make a "mistake" don't point it out to your audience. It is most likely they did not even notice.
LIFT YOUR DIAPHRAGM
So many singers learn to “belly breath” (breathe into the belly) and therefore tend to think that lifting their diaphragm feels similar to holding in their stomach. You can sing like this, but you are only using half your resources and not making full use of the power provided by the muscles in the back. To get your best breath for singing, you want to fill up your abdomen like an inner tube, you should feel expansion all the way around your body…yes, even in your back. Then to compress the air and support the vocal tone release, you lift the diaphragm muscle straight up from the center of your body. If you are used to the other way, it takes some practice to get the new diaphragm muscle memory, but well worth the effort!
KNOW YOUR LIMITS
Don't sing too high or too low. Don't sing to the point of vocal fatigue. Never strain or push your voice. Doing so will not result in a higher or lower singing range, or a stronger voice, only a voice that has suffered undue stress.
DARE TO TRY SOMETHING DIFFERENT
So many singers practice the same song, the same way, over and over and over again. If it didn’t work the first twenty times, why is it going to work the twenty-first? Try altering different aspects of your singing and attempt to find an easier way to accomplish your best sound. For example, increase/decrease articulation, increase/decrease the amount of airflow, increase/decrease diaphragm support, alter tone placement, alter resonance…get the picture?
Breathing properly for singing requires the shoulders to remain down and relaxed, not rise with the breath intake. A singer will gain power to their voice by strengthening the muscles in their rib cage and back.
PREPARATION MAKES A DIFFERENCE
Singers are very much like athletes. Take care of your body/instrument by stretching out the vocal muscles and relieving the body of unnecessary tension before singing.
Resonance is commonly defined as the “key to your signature voice.” As singers, we are far more interested on how we manipulate it that it’s textbook definition. Resonance is created by the sound wave/frequency you are creating is shaped and amplified by dancing in a resonating cavity (chest, mouth, nasal, sinus). The resonating cavity we have the most control over is the size and shape of our mouth. So play around with the size and shape of the mouth to hear changes in your resonance. With regard to mouth shape, taller is preferred over wider.
UNIQUE VOICE UNDER CONSTRUCTION
Remember that your voice has its own unique fingerprint and is constantly changing with our actions, environment, health habits, etc. With this in mind, listen to your own voice often and use vocal training tools to keep your voice on the right track. Stylistically embrace the changes that occur over time, but discipline your vocal machine to remain in balance to support your artistry. Embrace your uniqueness and enjoy your voice.