Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
Sign up for FREE SINGING TIPS via email delivery today !
Most people don’t realize how tense their jaw is…because it feels perfectly natural to them. Be sure to stretch out your face and jaw muscles and even make a specific point to monitor your jaw when singing to be sure it truly is relaxed. If your jaw is tense, you will not receive your best tone and perhaps even have trouble hitting some of the higher tones.
If you are having trouble getting your body completely involved with singing, try doing some cardiovascular activities, like jumping jacks, for a few minutes before getting started again. Sometimes your instrument simply needs an airflow wake-up call.
Wishing your voice was pro quality won’t get it there. You’d be surprised what one hour of specific vocal practice five days a week can do. Sorry, this doesn’t usually apply to singing your favorite songs during commute time or singing the same song over and over again in your bedroom. While you may make some improvement this way, making a productive practice vocal plan would be much more efficient and of course, help you make much faster progress.
Never hold your breath while singing. The airflow is what creates and carries your vocal tone, so keep it flowing. Avoid Clavicular Breathing and Belly Breathing -- instead, learn the proper way to breathe for singing, called diaphragmatic breathing. Fill the lower portion of your lungs as if you had an inner tube around your waist, evenly filling the entire area.
INCREASE YOUR AIR SPEED
Increase your air speed for high notes and decrease your air speed for lower notes. Each frequency requires a specific air speed to create the absolute best tone. Many singers push too much air, too quickly, while singing low notes in an attempt to make the note louder. All this does is add stress and tension to the tone. Use your ears to tell you when the proper balance is reached. The tone should sound clear and pure before adding stylistic nuances.
COPE WITH THE UNEXPECTED
Singing events and challenges occur with every performance. Deal with them the SMART way. Figure out which part of your vocal instrument is out of balance and make an instant adjustment. If you are not sure what actually makes up your “vocal instrument” you would definitely benefit from learning vocal mechanics.
YOU CAN SING
Making an impact on a room is as much about expression as it is physical ability. Take the time to understand your current skill level and exercise your vocal machine to help it become as balanced as possible at your current level. Make a plan for improvement, but ACCEPT your current level and love it. Face every song performance like a football player approaches the field. Forget about everything else except for the current play and how much you love the game. Say to yourself, YOU CAN SING and give it everything you've got.
Develop the strength and coordination of the diaphragm and become a pro at controlling the speed of the airflow released, the quantity of the airflow released and the consistency of the airflow released.
Breathing properly for singing requires the shoulders to remain down and relaxed, not rise with the breath intake. A singer will gain power to their voice by strengthening the muscles in their rib cage and back.
NEVER LET THEM SEE YOU SWEAT
The perception of the audience is the reality. Say that out loud, “the perception of the audience is the reality.” What they think is true, is true. So if you sing with confidence and handle that “creative” phrase you accidentally added like a professional, most of your audience will be convinced that you meant to sing it that way. Professionals sing creative nuances, amateurs make mistakes.
INCREASE YOUR BREATHING SKILLS
Increase your breathing capacity and control by doing breathing exercises every day. Be sure to avoid patterned breathing. Singers must negotiate phrase lengths of all different sizes, so it is important to be versatile.
SING THE STORY
Singing is acting through song. Why sing the song and not convey the message? Get emotionally involved with the lyrics. Figure out what would make you spontaneously speak the words and sing them with conviction.
ENERGY NOT EFFORT
This is one of the most confusing concepts in singing. Energy in the tone is what we want and Effort is something we want to desperately to avoid. Energy is created naturally when our vocal instrument is in balance and our body is involved in the singing process. It feels good. It feels easy. Sometimes it occurs naturally and other times we may have to make adjustments. Effort usually occurs when singers use their throat muscles/membranes and vocal cords improperly to create volume. We should actually feel and see very little happening in our throat area.
Never guess the pitch you are about to sing. Hear the note in your head before you open your mouth.
When learning to sing your full range and accomplish the desired one voice (same power with similar tone throughout the whole range) singers often experience cracks and breaks. One way to test this is to practice a siren. Slide on the syllable “he” from the bottom of your range to the top. If you do not experience cracks or breaks, try it on all syllables at all volumes. When you find yourself faced with this challenge, it is the common response to “try harder” or “give more effort” on those notes. This is not the way to solve this issue. What you want to do is to lighten up just a bit on these notes, let them float like a feather instead of trying harder and stomping on them. Understand that most often this is caused because muscles and membranes not having the memory they need to make the transition you require, as quickly as you want it made. Repetition will give them memory, so keep practicing. Lighten up just a bit on those notes and sing through the break. Don’t develop the habit of stopping when you “crack” or it will come back to bite you later.
FREE YOUR NATURAL VOICE
Don't be a slave to any music style – even your favorite one. Learn to sing with your full and natural voice by developing your vocal strength and coordination. Then add stylistic nuances to achieve any singing style you desire.
DARE TO TRY SOMETHING DIFFERENT
So many singers practice the same song, the same way, over and over and over again. If it didn’t work the first twenty times, why is it going to work the twenty-first? Try altering different aspects of your singing and attempt to find an easier way to accomplish your best sound. For example, increase/decrease articulation, increase/decrease the amount of airflow, increase/decrease diaphragm support, alter tone placement, alter resonance…get the picture?
VOLUME AND POWER
Volume and power should be gained by using the muscles in the back and abdomen. If you are losing your voice after 4-6 songs or if you hear a lot of “effort” in your tone (it doesn’t float in a pure fashion), then you are probably using your throat.
UNIQUE VOICE UNDER CONSTRUCTION
Remember that your voice has its own unique fingerprint and is constantly changing with our actions, environment, health habits, etc. With this in mind, listen to your own voice often and use vocal training tools to keep your voice on the right track. Stylistically embrace the changes that occur over time, but discipline your vocal machine to remain in balance to support your artistry. Embrace your uniqueness and enjoy your voice.
LIFT YOUR DIAPHRAGM
So many singers learn to “belly breath” (breathe into the belly) and therefore tend to think that lifting their diaphragm feels similar to holding in their stomach. You can sing like this, but you are only using half your resources and not making full use of the power provided by the muscles in the back. To get your best breath for singing, you want to fill up your abdomen like an inner tube, you should feel expansion all the way around your body…yes, even in your back. Then to compress the air and support the vocal tone release, you lift the diaphragm muscle straight up from the center of your body. If you are used to the other way, it takes some practice to get the new diaphragm muscle memory, but well worth the effort!
(E)XERCISE YOUR VOICE REGULARLY
So many singers shy away from actually doing exercises, claiming they can train and warm up by singing their favorite songs. While some professionals will do this in a pinch, most of them train using exercises and warm up their voice prior to performance the same way. Pros know that warm ups will take you through muscle movements that a song never could. Not only will warm ups tell you where you voice is “not awake”, but using them during training can help you develop necessary muscle memory for difficult passages you encounter later. Today it is easy to accomplish these tasks as there are many vocal exercise CDs available. There is even a dynamic and interactive style vocal warm ups system now available at http://VocalWarmups.com. Here is another quick tip…when you go to sing your song, you should be singing it like you sing the vocal exercises. Most of us will exercise with good placement, support, resonance, etc., but when we add words and our favorite melody all that goes out the window. Work at being consistent. If we were a football quarterback, would we practice throwing the ball one way and then throw it completely differently during a game? I don’t think so.
Using your articulators (lips, teeth, tip of the tongue) more specifically to create your words will help you sing better and more easily. So many of us swallow our articulation (meaning farther back in our mouth) and that habit gets in the way of resonance, tone placement and other important singing mechanics. To improve your skill, quickly say the articulator tongue twister five times in a row: “lips, teeth, tip of the tongue. Lips, teeth, etc.” Be sure to really concentrate on exaggerating the movements with the articulators. See where all the action is? That is where you feel the action of articulation when you sing. Keep in mind that you will probably feel like you are moving them in a ridiculous fashion if you are not used to using them actively. Check a mirror, you’ll probably be surprised.