Here's is a small sample of some of our free singing tips. Most of our tips via e-mail are longer and more detailed than we are able to provide here.
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YOU CAN SING
Making an impact on a room is as much about expression as it is physical ability. Take the time to understand your current skill level and exercise your vocal machine to help it become as balanced as possible at your current level. Make a plan for improvement, but ACCEPT your current level and love it. Face every song performance like a football player approaches the field. Forget about everything else except for the current play and how much you love the game. Say to yourself, YOU CAN SING and give it everything you've got.
Never guess the pitch you are about to sing. Hear the note in your head before you open your mouth.
Develop the strength and coordination of the diaphragm and become a pro at controlling the speed of the airflow released, the quantity of the airflow released and the consistency of the airflow released.
RAISE THE SOFT PALATE
Creating a larger space inside your mouth by raising the soft palate, or fleshy part of the back of our throat, helps achieve a deeper more well rounded singing tone.
One way to achieve this is to think of biting into a large apple. At SingSmart™ we like to call this APPLE AH. To practice, pretend you are about to bite into an imaginary apple and sing AH.
Remember, it takes repetition of this action to retrain those muscles to hold that position so do this on a regular basis for many weeks while you practice. Before you know it, this action will be moved into your subconscious and you will be singing with a lifted soft palate and creating a much warmer, rounder vocal tone..AND, singing will be easier.
High notes require consistent and steady fast moving airflow. Many students tend to hold their breath as they sing higher. Let the air flow. Try increasing your airflow and gauge your result.
Be sure to get your rest. Singing well is a very physical art form. If you are tired, your voice will show it. A tired body/instrument will not allow you to produce your best possible sound.
The show must go on! Sometimes we can’t help but let our emotions and personal life circumstances affect our performances. We are human, after all. However, with practice and meditation you can learn to clear you head and totally focus on connecting with your song and the appropriate emotions of your selection, instead of whatever else was distracting you. Your body language and expression communicate your focus…but it’s your eyes that communicate your thoughts most of all.
OPEN YOUR MOUTH WIDER
Nine times out of ten this will help you achieve a stronger, more defined vocal tone.
Humming should be easy and sound alive. If you cannot hum well, you are not singing up to your potential. Humming is a good way to determine which part of your vocal instrument is not warmed up or pulling its weight. When you hum you should be able to feel the resonant vibration on the front of your face.
Never hold your breath while singing. The airflow is what creates and carries your vocal tone, so keep it flowing. Avoid Clavicular Breathing and Belly Breathing -- instead, learn the proper way to breathe for singing, called diaphragmatic breathing. Fill the lower portion of your lungs as if you had an inner tube around your waist, evenly filling the entire area.
PLACEMENT OF YOUR TONE
PLACEMENT OF YOUR TONE refers to where the tone is centered. Mastering tone placement will make your singing incredibly easy and consistent. Some people are born with the skill of good tone placement and others have to really work at it. To get technical, there is both a horizontal and vertical placement. For example: horizontal placement, the tone can be centered at the front of your mouth, the middle or the back (back never preferred). For example: vertical placement, draw a line from the middle of your chin to the top middle of your head. The higher the note, the higher the placement.
WATER WATER WATER
Drink room temperature water as often as you can to keep hydrated. If you only have cold or hot water available, swish it around in your mouth for a moment. This action will keep related muscles from being startled or stressed by different temperatures. Keep in mind that if you only drink water when you feel the dehydration during performance, the water you intake will be dispersed to the larger muscles in the body, not your vocal cords. In order to avoid vocal dehydration during performance, pay attention to your body's hydration all-day, every-day.
(E)XERCISE YOUR VOICE REGULARLY
So many singers shy away from actually doing exercises, claiming they can train and warm up by singing their favorite songs. While some professionals will do this in a pinch, most of them train using exercises and warm up their voice prior to performance the same way. Pros know that warm ups will take you through muscle movements that a song never could. Not only will warm ups tell you where you voice is “not awake”, but using them during training can help you develop necessary muscle memory for difficult passages you encounter later. Today it is easy to accomplish these tasks as there are many vocal exercise CDs available. There is even a dynamic and interactive style vocal warm ups system now available at http://VocalWarmups.com. Here is another quick tip…when you go to sing your song, you should be singing it like you sing the vocal exercises. Most of us will exercise with good placement, support, resonance, etc., but when we add words and our favorite melody all that goes out the window. Work at being consistent. If we were a football quarterback, would we practice throwing the ball one way and then throw it completely differently during a game? I don’t think so.
Using your articulators (lips, teeth, tip of the tongue) more specifically to create your words will help you sing better and more easily. So many of us swallow our articulation (meaning farther back in our mouth) and that habit gets in the way of resonance, tone placement and other important singing mechanics. To improve your skill, quickly say the articulator tongue twister five times in a row: “lips, teeth, tip of the tongue. Lips, teeth, etc.” Be sure to really concentrate on exaggerating the movements with the articulators. See where all the action is? That is where you feel the action of articulation when you sing. Keep in mind that you will probably feel like you are moving them in a ridiculous fashion if you are not used to using them actively. Check a mirror, you’ll probably be surprised.
FREE YOUR NATURAL VOICE
Don't be a slave to any music style – even your favorite one. Learn to sing with your full and natural voice by developing your vocal strength and coordination. Then add stylistic nuances to achieve any singing style you desire.
ENERGY NOT EFFORT
This is one of the most confusing concepts in singing. Energy in the tone is what we want and Effort is something we want to desperately to avoid. Energy is created naturally when our vocal instrument is in balance and our body is involved in the singing process. It feels good. It feels easy. Sometimes it occurs naturally and other times we may have to make adjustments. Effort usually occurs when singers use their throat muscles/membranes and vocal cords improperly to create volume. We should actually feel and see very little happening in our throat area.
DARE TO TRY SOMETHING DIFFERENT
So many singers practice the same song, the same way, over and over and over again. If it didn’t work the first twenty times, why is it going to work the twenty-first? Try altering different aspects of your singing and attempt to find an easier way to accomplish your best sound. For example, increase/decrease articulation, increase/decrease the amount of airflow, increase/decrease diaphragm support, alter tone placement, alter resonance…get the picture?
SING THROUGH THE VOCAL BREAK
If you do not teach the muscles the necessary actions to sing through the trouble spots, success will never be achieved. If you constantly stop every time you hear a crack or break…how will you ever get past it? Easy. Practice singing through those notes repeatedly. Don't PUSH through the break, LIFT through the break, keeping your chin in a down position. If your chin starts to lift to the sky and you are not properly prepared underneath (diaphragm, palate, etc.), you're gonna crack.
Resonance is commonly defined as the “key to your signature voice.” As singers, we are far more interested on how we manipulate it that it’s textbook definition. Resonance is created by the sound wave/frequency you are creating is shaped and amplified by dancing in a resonating cavity (chest, mouth, nasal, sinus). The resonating cavity we have the most control over is the size and shape of our mouth. So play around with the size and shape of the mouth to hear changes in your resonance. With regard to mouth shape, taller is preferred over wider.
NEVER LET THEM SEE YOU SWEAT
The perception of the audience is the reality. Say that out loud, “the perception of the audience is the reality.” What they think is true, is true. So if you sing with confidence and handle that “creative” phrase you accidentally added like a professional, most of your audience will be convinced that you meant to sing it that way. Professionals sing creative nuances, amateurs make mistakes.
SING THE STORY
Singing is acting through song. Why sing the song and not convey the message? Get emotionally involved with the lyrics. Figure out what would make you spontaneously speak the words and sing them with conviction.
Training in front of a mirror can help a singer discover many things about their instrument, as well as confirm that other actions are being done correctly. Be sure to rely on a mirror during vocal training, but be able to leave the mirror to face an audience.